In recent days there have been multiple reports about complaints from german newspaper publishers for copyright infringement by quotations on web pages. Therefore all german press quotes on concerts and performances had to be disabled until this issue gets resolved.

CARMINA BURANA - FESTIVAL OF THE AEGEAN SYROS
("Eleftheros Newspaper", Sgourdas, August 2011)
"The choirs performed vividly while as far as the soloists are concerned, Myrsini Margariti stood out, impressing us with her beautiful, fresh voice, clean technique, tonic accuracy, and impeccable high notes in the parts “Siqua sine soclo”, “Stetit puella”, “In trutina”, and “Dulcissime”."

L' Incoronazione di Poppea - Athens Festival
("Daily Newspaper", Dontas, July 2011)

"The poetic Ottone of Karolina Blixt, the fresh Drusilla of Myrsini Margariti and the expressive Arnalta of Romina Basso stood out".

SYLVIA/L´ Isola Disabitata Athens Festival 2010

(OPERA NOW)
"The soprano Myrsini Margariti was an ideal choice for the young, innocent Sylvia, who has grown up without ever encountering men; she channeled her light, sonorous, youthfull voice to an artful, agile aria with delightful virtuoso climaxes."

MICAELA/CARMEN, Piccola Scala,Festival of the Aegean 2010

(Avgi, August 2010)

"..the soprano Myrsini Margariti repeated her success from the performances in Larisa in the highly difficult role of Micaela."

Apollo e Dafne

(Johan van Veen, MusicWeb International)

"With Nikolay Borchev the role of Apollo is excellently cast. He gives a perfect portrayal of the arrogance of Apollo, and his performance is technically assured and stylistically convincing. His diction and his performance of the coloraturas are impressive, for instance in the aria 'Sprezza l'arco'. Myrsini Margariti does equally well in her interpretation of the role of Dafne. She has a nice voice which is perfectly suited to this role.[..]The recitatives are taken with the right amount of rhythmic freedom. In the dialogues the interaction between the two characters is very good. That is also the case in the duet 'Deh! lascia addolcire' in which the musical material for the two protagonists is radically different, reflecting the antagonism between them. "

(Péché de classique, Marz 2010)
"Les deux chanteurs
sont excellents, mais qui ne le serait
pas avec un tel orchestre ! Myrsini
Margariti est une Dafne rayonnante
aux somptueux chatoiements."